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Drugs
and Greed
Everyone who can be
corrupted will be.
By Lois
Wadsworth
Traffic: Directed by Steven Soderbergh. Written by Stephen
Gaghan, based on "Traffik," created by Simon Moore for Channel 4 Television,
U. K. Produced by Edward Zwick, Marshall Herskovitz, Laura Bickford. Executive producers:
Richard Solomon, Mike Newell, Cameron Jones, Graham King and Andreas Klein. Cinematographer,
Peter Andrews (aka Steven Soderbergh). Production design, Philip Messina. Art direction,
Keith P. Cunningham. Set decorator, Kristen Toscano Messina. Editor, Stephen Mirrione.
Costumes, Louise Frogley. Music, Cliff Martinez. Starring Michael Douglas, Don Cheadle,
Benicio Del Toro, Luis Guzman, Dennis Quaid, Catherine Zeta-Jones, Steven Bauer and
Erika Christensen. With Clifton Collins Jr., Miguel Ferrer, Topher Grace, Amy Irving,
Tomas Millian, Marisol Padilla Sanchez and Jacob Vargas. USA Films Release, 2000.
R. 147 minutes.
 |
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Mexican policeman
Javier Rodriguez (Benicio Del Toro) attempts to straighten out his patrol partner
and childhood friend, Manolo (Jacob Vargas).
. |
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It's hard to imagine any other working American filmmaker who could have made this
film but Steven Soderbergh. By now Soderbergh has shown that he can work in any genre
he chooses -- he calls this one a policier -- and treat any subject he selects with
the technical skill and creative art expected only from a very few film masters.
Shot by the director himself, Traffic is more than the sum of its parts. The
four stories that make up the film's narrative move from an orange-yellow dominated
Tiajuana desert outback to the cool blue seats of power in Washington, D.C., and
from the mansion of a San Diego drug lord to the filthy torture chamber of a ruthless
Mexican general. The drug cartels generate unimaginable wealth, and it's not only
those addicted to cocaine and heroin who are its victims. Greed blooms in the presence
of so much money, and only a few among us are incorruptible.
Traffic hits home with the immediacy of your morning headlines, yet it's also
the oldest story ever told. For all of its recorded history, the human race has discovered
ways to alter reality -- from the fermentation of grains to the curing of tobacco
to today's mass-market, legal pharmacopoeia. Substances as relatively benign as coffee
and as medically helpful as morphine take their places on a continuum that includes
rave designer drugs such as Ecstasy as well as crack cocaine, heroin and methamphetamine.
Soderbergh illuminates the range of chemical dependencies of the film's characters.
There's the Scotch that new drug czar Robert Wakefield (Michael Douglas) drinks to
unwind and ameliorate his domestic boredom; the beer Mexican policeman Javier Rodriguez
(Benicio Del Toro) quaffs in San Diego when he's ensnaring a notorious, dangerous
assassin; the two glasses of red wine pregnant Helena Ayala (Catherine Zeta-Jones)
sips with her lunching girlfriends just before her husband, Carlos (Steven Bauer),
gets hauled in for being a drug kingpin; the free-based cocaine that gives great
pleasure to teenager Caroline Wakefield (Erika Christensen) the first time she uses.
Changing nature's bounty into highly addictive substances wasn't figured out just
yesterday, but the scale of today's drug trafficking and the ubiquity of substances
to abuse simply boggles the mind. Worst of all, everybody knows that the interdiction
programs the U.S. spends an ocean of money on aren't working.
Soderbergh's film is powerful and wholly unsentimental. Unlike Darren Aronofsky's
brutal Requiem for a Dream, this film is not bleak and hopeless. The difference,
I think, is that Aronofsky is fascinated by the evil of drug abuse, so that is what
he explores. But Soderbergh shows that ordinary people caught in the drug web can
find a way out: one character decides not to serve the drug cartel; another, an addict,
stops using through group therapy. Traffic says it's not people who are to
be blamed for drugs, but the utterly corrupt system itself.
Soderbergh's direction is flawless. Stephen Gaghan's screenplay smoothly integrates
the different stories without obvious artifice. Del Toro's performance is the best
of the year. Douglas is also very good, and Christensen is pure gold. Zeta-Jones
shows us the sobering face of desperation. As undercover DEA agents, Don Cheadle
is all purpose and resolve, while his partner, the fabulous Luis Guzman, is dedication
itself.
The best film of the year (so far), Traffic is now playing at Cinemark 17 and Cinema
World 8.
Fun
on Main Street
Hollywood invades small
town America.
By Lois
Wadsworth
State and Main: Written and directed by David Mamet. Produced
by Sarah Green. Executive produced by Alec Baldwin, Jon Cornick. Cinematographer,
Oliver Stapleton. Production design, Gemma Jackson. Costumes, Susan Lyall. Editor,
Barbara Tulliver. Music, Theodore Shapiro. Starring Alec Baldwin, Charles Durning,
Clark Gregg, Philip Seymour Hoffman, Patti LuPone, William H. Macy, Sarah Jessica
Parker, David Paymer, Rebecca Pidgeon and Julia Stiles. Fine Line Features, 2000.
R. 106 minutes.
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Collision course
involves local pol (Clark Gregg), movie star (Alec Baldwin), state trooper and Hollywood
producer (David Paymer).
. |
|
It's refreshing to have a really pointed satire like David Mamet's surprisingly hilarious
State and Main land in town. A sendup of both a Hollywood film cast and crew
and the people who live in a small town they invade, it's about the collision of
lifestyles and the mutual blurring of morality that ensues. The movie laughs at what
people will and won't do for money and shows that pampered stars, dictatorial producers
and hypocritical directors are not the only ones who are twisted. There are plenty
of locals whose venality is no less obvious. Here in Waterford there are no innocents.
When the tuckered out film crew arrives in town a few days before shooting of The
Old Mill begins, they take over the only hotel as their crisis center. Director Walt
Price (William H. Macy) goes ballistic when he learns that the town's picturesque
water wheel-driven mill burned down 40 years earlier. Change the script, he orders
novice screenwriter Joe White (Philip Seymour Hoffman). But White's manual typewriter
was lost when they had to 23-skidoo from the previous town because leading man, Bob
Barrenger (Alec Baldwin) was caught with an underaged girl. Looking for a typewriter,
White runs into bookstore owner Ann Black (Rebecca Pidgeon), who also directs the
town's little theater and knows White's play, Anguish. Romance blooms.
From these opening set-ups, you can see that Mamet is in fine form, drawing on his
own experiences behind the camera for his seventh movie. When Barrenger arrives,
Price tries to control the star and his dirty little hobby, but local teen Carla
Taylor (Julia Stiles) has her own agenda. Star Claire Wellesley (Sarah Jessica Parker)
refuses to film a nude scene that's in her contract unless she gets an additional
$600,000, so shark-like producer Marty Rossen (David Paymer) arrives from Los Angeles
to deal with her.
Locally, the Mayor (Charles Durning) and his social climber wife, Sherry (Patti LuPone),
invite the crew to dinner in their historic house, which Sherry immediately begins
redecorating. Meanwhile, Ann's ex-fiancé and ambitious politician Doug MacKenzie
(Clark Gregg) determines to squeeze every dime he can out of the film production.
Fortune smiles when a film company van flips on Main Street at State. Barrenger is
not hurt, and everyone closes rank, saying he was alone. But writer White was on
the scene when the accident occurs, and he knows who was present.
Biting the hand that feeds you gets big play on the big screen. Arguably the most
acclaimed anti-Hollywood films is Robert Altman's The Player (1992) with its
65 celebrity cameos, but State and Main's darkness doesn't extend to murder.
In spirit it's more like the outrageous Steve Buscemi 1994 sleeper, Living in
Oblivion or Tim Burton's 1994 homage to schlock movies, Ed Wood.
Because State and Main's story is told primarily from the writer's position
in the production hierarchy, beleaguered writer White shares a tortured mediocrity
with both the Coen brothers' Barton Fink (1991) and to the untalented playwright
David Shayne (John Cusack) in Woody Allen's Bullets Over Broadway (1994).
We get just enough of the flavor of The Old Mill to realize that this clunker isn't
going to make anyone famous.
Funny, biting and a sensational ensemble production, State and Main opens
at the Bijou Friday, Jan. 12. Very highly recommended.

OPENING
OR RETURNING:
Films open the Friday following date of EW publication unless otherwise
noted.
Antitrust: College graduate (Ryan Phillippe) lands dream job writing software
for humongous computer company founded by his childhood idol and mentor (Tim Robbins).
Lad learns lessons the hard way. Directed by Peter Howitt (Sliding Doors), film also
stars Rachael Leigh Cook and Claire Forlani. PG-13. Movieland 6. Cinemark 17.
Charlie's Angels: Elite private investigators Natalie (Cameron Diaz), Dylan
(Drew Barrymore), and Alex (Lucy Liu) can handle anything on land, sea or air with
up-to-the-minute martial arts skills, futuristic vehicles, high-tech tools and toys,
and a raft of crafty disguises. Also stars Bill Murray. PG-13. Movies 12.
Dona Flor and Her Two Husbands (Brazil, 1978) Based on Jorge Amado's novel,
Bruno Barreto's much loved film stars Sonia Braga as a widow who remarries but fantasizes
the return of the her dead husband. Is he real or is she just imagining things? UO
campus, Jan. 16, 121 Pacific Hall, 7 pm. Free.
Double Take: It's Trading Places for the new century as NY investment banker
(Orlando Jones) switches identities with a petty thief (Eddie Griffin) to get out
of hot water but finds he's in even bigger trouble now. Written and directed by George
Gallow. PG-13. Cinemark 17. Movieland 6.
Finding Forester: Gus Van Sant's latest film is written by fellow Portlander
Mike Rich and stars Sean Connery as a reclusive novelist (think J.D. Salinger) who
comes out of retirement to help a talented kid, played by 16-year old newcomer Robert
Brown. With Anna Paquin and Busta Rhymes. Van Sant calls the film "the evil
twin of Good Will Hunting." PG-13. Cinemark 17. Cinema World 8.
Force More Powerful, A: This two-part PBS documentary about successful nonviolent
campaigns across the world is shown in honor of Martin Luther King. Part I shows
Jan. 15, with Part II Jan 16. The Wesley Center, 1236 Kincaid, 7 pm. Free.
Legend of Bagger Vance, The: A down-and-out former golf star (Matt Damon)
finds the girl of his dreams, again, (Charlize Theron). A guardian-angel (Will Patton)
helps him remember his former glory. Directed by Robert Redford. PG. Movies 12.
O Brother, Where Art Thou?: Ethan and Joel Coen's latest film takes its name
from the director in Preston Sturges great Depression-era comedy, Sullivan's Travels.
This Odyssey stars George Clooney, John Turturro and Tim Blake Nelson as chain-gang
escapees in Mississippi, and the whole thing is a musical of sorts. Also with John
Goodman. PG-13. Cinema World 8.
Pay It Forward: Kevin Spacey, Helen Hunt and Haley Joel Osment (The Sixth
Sense) star in this drama about a boy whose class project turns into phenomenon taken
up by lots of people. Directed by Mimi Leder. PG-13. Movies 12.
Quills: Geoffrey Rush plays the 18th century novelist Marquis de Sade in his
later years, writing like a fiend in Charenton Asylum for the insane. Kate Winslet
plays the laundress who smuggles his erotic work out to the world. Michael Caine
plays the doctor who wants to cure him, whether he wants it or not. Directed by Phillip
Kaufman (The Unforgettable Lightness of Being, The Right Stuff). R. Bijou.
Save the Last Dance for Me: Looking for the same audience as last years Center
Stage. Talented white girl from small town (Julia Stiles) enrolls in an inner city
high school in New York where she falls for a popularAfrican American boy (Sean Patrick
Thomas) who also loves to dance. But things get cloudy when she has a chance to dance
ballet because he loves to dance to hip-hop. PG-13. Cinema World 8. Cinemark 17.
State and Main: David Mamet comedy set in a New England town taken over by
a film production crew and stars. Culture clash doesn't even begin to explain what
happens. Great ensemble cast includes William H. Macy, Philip Seymour Hoffman, Alec
Baldwin and Sarah Jessica Parker. R. Very highly recommended. Bijou. See
review this issue.
Thirteen Days: Political thriller directed by Roger Donaldson is set during
the Cuban missile crisis of 1962, when JFK and brother Robert had to scramble to
avert Armageddon. Kevin Costner plays the trusted Kennedy political operative, Kenny
O'Donnell. Bruce Greenwood plays the President, and Steven Culp is Bobby. Script
is based partly on interviews with the late O'Donnell. PG-13. Cinemark 17. Movieland
6.
CONTINUING:
All the Pretty Horses: Based on Cormac McCarthy's award-winning novel and
directed by Billy Bob Thornton, Matt Damon and Henry Thomas star as young Texas cowboys
who head to Mexico to work with horses in 1949. Also stars Penelope Cruz, Lucas Black
and Ruben Blades. Highly recommended. R. Cinemark 17.
Bring It On: Kirsten Dunst (The Virgin Suicides) is a cheerleader who wants
to lead her squad to a national title. Gabrielle Union (She's All That) is head of
a rival, inner-city hip-hop squad that has a score to settle with their suburban
counterparts. PG-13. Movies 12.
Cast Away: Fed Ex manager Tom Hanks learns to survive when he washes up on a remote
tropical island after his plane crashes. Helen Hunt is the girlfriend he left behind.
Intimate direction by Robert Zemeckis, a lean script by William Broyles Jr., and
an edgy performance by Hanks. Highly recommended. PG-13. Cinemark 17. Cinema World
8. Movieland 6.
Charlie's Angels: Elite private investigators Natalie (Cameron Diaz), Dylan
(Drew Barrymore), and Alex (Lucy Liu), work for Bosley (Bill Murray), Charlie's lieutenant.
These gals can handle anything on land, sea or air with up-to-the-minute martial
arts skills, futuristic vehicles, high-tech tools and toys, and a raft of crafty
disguises. PG-13. Movies 12.
Contender, The: Three big stars -- Joan Allen, Gary Oldman and Jeff Bridges
-- star in this political drama directed by Rod Lurie. Allen's character is a senator
in line to be Vice President, but Oldman plays an old enemy who remembers a sex scandal
from the past. Highly recommended. R. Movies 12.
Coyote Ugly: David McNally comedy about cocktail waitresses who perform juggling
acts with bottles in a rowdy New York bar. Stars Piper Perabo, Maria Bello, Melanie
Lynskey, Adam Garcia and John Goodman. PG-13. Movies 12.
Dracula 2000: Wes Craven's modernization of Bram Stoker's 1897 novel starring
Gerard Butler, Johnny Lee Miller, Christopher Plummer and Jennifer Esposito. R. Cinemark
17.
Dude, Where Is my Car?: Danny Leiner's one-joke comedy is about a couple of dudes
who get too drunk to remember where they parked the car with presents for their girlfriends.
PG-13. Cinemark 17.
Emperor's New Groove, The: Disney animation, Sting's music, and the voices
of David Spade, Eartha Kitt and John Goodman enliven this tale of a young emperor
who is turned into a llama and learns to be nicer to others. G. Cinemark 17. Movieland
6.
Family Man: Brett Ratner (Rush Hour) directs Nic Cage, Téa Leoni and
Don Cheadle in this fantasy of an unmarried investment banker who sees what his life
could have been had he married his only love. PG-13. Cinemark 17. Cinema World 8.
How the Grinch Stole Christmas: Madcap Jim Carrey brings to life Dr. Seuss's
green grinch who wants to keep Christine Baranski, Molly Shannon and Bill Irwin and
others from celebrating Christmas. Directed by Ron Howard. PG. Cinemark 17.
Little Vampire: Cute kid from Jerry Maguire Jonathan Lipnicki has a vampire
friend he shares adventures with. Based on books by Angela Sommer-Bodenburg; directed
by Ulrich Edel. PG. Movies 12.
Meet the Parents: Ben Stiller plays the unfortunate prospective son-in-law
to Robert Di Niro's overly protective father. Directed by Jay Roach, the film also
stars Teri Polo and Blythe Danner as the engaged daughter and her mother. PG-13.
Movies 12. Late night Bijou.
Men of Honor: Cuba Gooding Jr. plays the first black man in the Navy to try
to be a SEAL. Robert De Niro plays the racist officer who tries to break him. Directed
by George Tillman Jr. (Soul Food). R. Movies 12.
Miss Congeniality: Dubious comedy stars Sandra Bullock as an FBI agent posing
as a beauty contestant, Miss New Jersey. Directed by Donald Petrie, flick also stars
Benjamin Bratt, Michael Caine and William Shatner. PG-13. Cinemark 17. Cinema World
8.
Red Planet: Val Kilmer is an American astronaut on the first manned flight
to Mars, where the team hopes to find a place for Earth to colonize. With Benjamin
Bratt, Tom Sizemore, Terence Stamp and Carrie-Anne Moss. Directed by Anthony Hoffman.
PG-13. Movies 12.
Remember the Titans: Football movie based on the true story of a 1971 Virginia
high school falling apart from racial conflict until a black coach (Denzel Washington)
from out of town pulls them together. Directed by Boaz Yakin, it also stars Will
Patton and Kip Pardue. PG.
Requiem for a Dream: Brilliant, deeply disturbing film directed by Darren
Aronofsky (Pi) from a script by Hubert Selby Jr. (Last Exit to Brooklyn). Jared Leto,
Ellen Burstyn, Jennifer Connelly and Marlon Wayans give realistic, gritty and courageous
performances here as junkies on the down slope. The film is innovative and beautiful,
but you will not sleep well after this one. Unrated. Late night Bijou.
Sixth Day, The: Roger Spottiswoode directs this futuristic thriller starring
Arnold Schwarzenegger in two roles. One is a clone, but nobody can tell which one.
Also stars Wendy Crewson as his wife, Tony Goldwyn and Robert Duvall. PG-13. Movies
12.
Space Cowboys: Director Clint Eastwood attracted Tommy Lee Jones, James Garner and
Donald Sutherland to star with him in this outer space adventure flick. They play
retired Air Force test pilots who have to defuse a leftover Cold War satellite in
space before it hits earth. PG-13. Movies 12.
Traffic: Steven Soderbergh's acclaimed new film takes a hard look at the complexities
of drug interdiction programs. With an all-star, ensemble cast that includes Michael
Douglas, Benicio Del Toro, Don Cheadle, Catherine Zeta-Jones and Erica Christensen.
Brilliant directing, excellent script and dynamite performances make this the best
film of 2000 (so far). R. Cinemark 17. Cinema World. See review
this issue.
Vertical Limit: Action adventure tale of a former mountain climber who has
to save a sibling trapped at 26,000 feet. Chris O'Donnell is the traumatized ex-climber,
Robin Tunney is his sis. Directed by Martin Campbell. PG-13. Cinemark 17. Movieland
6..
What Women Want: Mel Gibson stars as an accident victim who can suddenly hear the
private thoughts of women. The women in question include Helen Hunt, Marisa Tomei
and Lauren Holly. PG-13. Cinemark 17. Cinema World 8. Movieland 6.
MOVIE
THEATERS
Use the links provided below for specific show times.
Bijou
Art Cinemas
Bijou Theater | 686-2458 | 492 E. 13th
Regal
Cinemas
Cinema World | 342-6536 | Valley River Center
McDonald | 344-4343 | 10th and Willamette
Movieland | 342-4142 | W. 11th and Seneca
Springfield Quad | 726-9073 |
Cinemark
Theaters
Movies 12 | 741-1231 | Gateway
Mall
Movies before 12:30 are Sat. Sun. only. $1.50 all shows all days.
Cinemark 17 | 741-1231 | Gateway Mall

NEW RELEASES
ON VIDEO:
Releases subject to change. Available the Tuesday following date of
EW publication, sometimes sooner:
Battlefield Earth: Set 1000 years in the future, this bad movie based on late
Scientologist L. Ron Hubbardęs 1982 sci-fi novel stars John Travolta and Barry Pepper
as alien and earthling locked in deadly battle. Directed by Roger Christian. Has
made many criticsę bottom ten of 2000 lists. PG-13.
Coyote Ugly: David McNally comedy about cocktail waitresses who perform juggling
acts with bottles in a rowdy New York bar. Stars Piper Perabo, Maria Bello, Melanie
Lynskey, Adam Garcia and John Goodman. PG-13.
Kid, Disneyęs The: Played by Spencer Breslin, a child meets himself at 40,
a man played by Bruce Willis. Is he impressed? Find out in Jon Turteltaubęs comedy.
PG.
Next week: The Adventures of Rocky and Bullwinkle, Bait,
Bring It On, Cecil B. Demented and Mr. Accident.
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